The action takes place in Paris in 1959, with a flashback. A teenager in search of a mother he has never known enters manhood and discovers love.

Failed Rugby player, turned medical-taxi driver, Feodor, makes friends with the strange mute child he has to drive to and from the children's psychiatric hospital.

A young boy is hired as a lift attendant in a grand hotel when his mother dies. To fulfill his dream, he takes part in a competition organized by the manager, and wins 1st prize: a two-day stay in one of the princely suites. He wants to share the experience with his young girlfriend, the florist, but discovers that she has betrayed him and returns to her elevator.

**1810:** Renata Plancher, cousin of Napoleon, Jean Plancher, and their son Baptiste run an inn, "Chez Bonaparte," in Paris, Faubourg Saint-Honoré. Jean complains that the Emperor has shown them no regard since coming to power.**1695:** Count Philippe Honoré de Roche Saint-Pierre, cousin of Louis XIV, was dismissed from Versailles by the king. He lives with his wife Marie-Louise at the Château de La Croûtinière, 250 kilometers from Versailles.**1430:** François d'Arc is the cousin of Joan of Arc. He lives in Domrémy, Joan's birthplace, with his wife Ysabeau and Gaspard, a sheep breeder. François tries by all means to free his cousin, who is imprisoned by the Burgundians.**1:** Yorik is the cousin of Vercingetorix. He lives at the salt mine of Marsal, in Gallo-Roman Moselle, with his wife Maëlle, his son Briac, his daughter Gwénola, Burgal, Maëlle's brother, and Lena, Yorik's mother.

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A man fights against drug dealers around his neighborhood.

Chronogram is a photomontage that explores stillness, motion, and memory. Using a 35mm still camera, multiple exposures were composed and edited in-camera, creating frameless sequences of images printed on 35mm filmstrips. When projected, these images become a non-linear, non-synchronized collage. The ephemeral quality of the images - their transparency, layering, and repetition - invites us to reflect on the role memory plays in perception, the ways we mentally reconfigure fragments to construct stability and meaning in an environment of perpetual flux.

Jean-Pierre Bacri was never happy about anything. But beyond the caricature of the grumpy man, from his apprenticeship years to his death in January 2021, this film tells the story of this quintessential Frenchman: a man turned towards others, an actor by accident, a moralist by vocation, who was left unaffected by flattery and false honors by success, and ready for all kinds of anger when it was necessary to speak out against injustice and stupidity. The film tells the story of how Jean-Pierre Bacri's life changed several times: from Algeria to France when he was eleven years old in 1962; from bank clerk to apprentice theater actor; from Pieds-noirs film star to screenwriter for Alain Resnais; and from Cannes playboy to Agnès Jaoui's mad lover, the most decisive encounter for his life as well as for his work